This blog entry is part of an ongoing series documenting the creation of my short film, “Figure/Ground”, about the death of my father, starring veteran actor Allan Kulakow. The finished film is a hybrid of photographic and painted imagery, created using Photoshop, After Effects and Final Cut Pro. The film uses many of the techniques discussed in my book “Digital Art Revolution”. I’ll document my techniques, approaches, decision process and frustrations in hopes that they’ll be of interest to digital artists and filmmakers.

Photohop digital image from Figure/Ground movie by Scott Ligon

I sneak around taking pictures of a local pharmacy with my iphone. I’ll paste various elements from these photos into an imaginary pharmacy setting. The manager catches me and asks me to leave. Busted!


Although the color is still greenish as it is in the other sequences, I decide to allow a bit of sickly color into the background to help the mood. I actually filmed this image of myself, sitting on the ground outside my house. I was testing the camera, but my unshaved face worked well for this scene.

I created a fake drivers license for the scene...

Photohop digital image from Figure/Ground movie by Scott Ligon

Photographer Rick Jacobs was perfect as the psychedelic pharmacist. In the final scene, I take a still image of his hand holding medicine, paint out the labels and animate it in front of his face as if he’s raising his hand with the medicine. It works pretty conveniently. A student is working in After Effects in my class, and again, I interrupt him to show him my hand, animated in After Effects.

Photohop digital image from Figure/Ground movie by Scott Ligon

When the scene is done, I animate the background so that it swirls and distorts in a trippy fashion.

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